On October,7th, 1932, wholesome Yorkshire fare was provided
for all visitors to the Farrar Street Congregational Church...in the shape of
“Custard and Rhewbarb i’ Paris”. So stated the opening of the Barnsley
Chronicle review of a Farrar Street Congregational Church Players production,
published on Saturday 15th October 1932.
A whole cast photograph was
published with the review. Clearly, a play outside of the established theatre’s published
repertoire, provided nonetheless and evenings enjoyment and funds for the
church. According to the Chronicle review, “..all gave their best to make the
production a rip roaring success......they took advantage of the droll dialogue
and went through with a rare spirit of assurance” Twenty two members took to
the stage and it was noted that “it is to the credit of the players that they
were not rendered speechless by the sheer humour of the piece”
The piece, a three act dialect
sketch was written by Eleanor Reynolds about whom little is known. The plays
were not published as far as can be determined, but Bill Moss remembered his
father and uncle having scripts which were typewritten. One of her plays was
performed in 1937 in Stocksbridge by a group. The play was “Gwynne versus
Gwynne”.
That group performed two other works of Reynolds which indicates she
was a popular writer in area. It may be possible that the Stocksbridge group
had seen Farrar Street’s version of “Gwynne versus Gwynne” which was performed
in November 1935, among the six further Reynolds plays were produced by Farrar
Street Players.